A vigorous Nigerian musical authority, Priesst, issued “Kurima Too (EP),” a compact but expressive body of work that leans into rhythm, identity, and contemporary Afro-influenced sounds.
The EP carries a cohesive sonic direction, rooted in Afrobeats but not confined to it. Across the project, Priesst experiments with tempo and mood—switching between mellow grooves and more upbeat, percussive-driven cuts.
Not to mention, there’s a clear intention to balance accessibility with individuality, giving the project a steady flow rather than a scattered feel.
Vocally, Priesst maintains a smooth and controlled delivery. His approach doesn’t rely on excessive vocal runs; instead, he keeps things grounded, letting tone and cadence carry the emotion. This restraint works in his favor, especially on tracks that lean into introspection.
Lyrically, “Kurima Too” touches on themes of hustle, self-awareness, relationships, and personal evolution. There’s a sense of progression embedded in the writing—moments that reflect both struggle and growth without becoming overly dramatic. It feels lived-in, not manufactured.
Production-wise, the EP is clean and modern. Percussion sits at the forefront, supported by soft melodies and occasional atmospheric layers that give certain tracks a reflective edge. The sequencing also plays a role, allowing the listener to move through different moods without abrupt transitions.
In all, “Kurima Too (EP)” presents Priesst as an artist with a clear direction. It’s not trying to do too much at once—instead, it builds its strength through consistency, mood, and a calm sense of identity, positioning it as one to watch within Nigeria’s evolving soundscape.
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